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1. Walden (Yale Nota Bene)
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Yale University PressDescription
This handsome, affordable paperback edition of Walden is the most authoritative version of Henry David Thoreaus classic American literarymasterpiece to date.Jeffrey Cramers newly edited text is based on the original 1854 edition of Walden, with emendations taken from Thoreaus draft manuscripts, his own markings on page proofs, and notes in his personal copy of the book. An elegantly produced paperback, it has been priced especially with the student market in mind. An introduction by Denis Donoghue places Thoreaus life and achievement in context. Also included here are notes on the text, an afterword by the editor, and a helpful selected bibliography.
2. Walden Publisher: Yale University Press; Annotated edition
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Excellent Book3. Walden (Yale Nota Bene) by Henry David Thoreau (2006-05-11)
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Will be shipped from US. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.4. Walden (Yale Nota Bene) by Henry D. Thoreau (2006-05-11)
Description
Will be shipped from US. Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.5. Thoreau's Morning Work: Memory and Perception in A Week on the Concord and Merrimack Rivers, the "Journal", and Walden
Description
"A Week on the Concord and Merrimack Rivers" and "Walden", the only works Thoreau conceived and brought to conclusion as books, bear a distinctively important relation to each other and to his Journal, the document whose 24 year composition encompasses their development. In this book The author shows how these three works engage one another dialectically and how all of them participate in a larger project of the imagination. "Morning Work" a phrase from "Walden", is the name the author gives to this larger project. By it he means the work done by memory and perception as they act to shape Thoreau's emerging vision of a harmonious universe. He argues that the changing balance of memory and perception in the three works defines the unique literary character of each of them. He offers a major re-evaluation of "Walden", which he sees neither as the epitome of Thoreau's career (the traditional view), nor as an anomaly (the recent, revisionary view). Rather, he sees "Walden" as a pivotal work, reflecting the issues of loss and remembrance that earlier had found prominent expression in "A Week" and prefiguring the late Journal's vision of natural order. Focusing on the two-million word Journal, the author provides a critical analysis that defines the essential forces and the imaginative coherence in its vast discursiveness. The consideration of memory and perception in Thoreau also leads him to the issue of the writer's modernity, and he explores the ways in which Thoreau anticipates 20th century thought, especially in the works of such objectivist philosophers as William James and Alfred North Whitehead.6. Thoreau's Morning Work: Memory and Perception in A Week on the Concord and Merrimack Rivers, the "Journal", and Walden
Description
A Week on the Concord and Merrimack Rivers and Walden, the only works Thoreau conceived and brought to conclusion as books, bear a distinctively important relation to each other and to his Journal, the document whose twenty-four-year composition encompasses their development. In a brilliant new book, H. Daniel Peck shows how these three works engage one another dialectically and how all of them participate in a larger project of imagination.
"Morning work," a phrase from Walden, is the name Peck gives to this larger project. by it he means the work done by memory and perception as they act to shape Thoreau's emerging vision of a harmonious universe. Peck argues that the changing balance of memory and perception in the three works defines the unique literary character of each of them. He offers a major reevaluation of Walden, which he sees neither as the epitome of Thoreau's career (the traditional view) nor as an anomaly (the recent, revisionary view).Rather, he sees Walden as a pivotal work, reflecting the issues of loss and remembrance that earlier had found prominent expression in A Week and prefiguring the late Journal's vision of natural order.Focusing on the two-million-word Journal, Peck provides the first critical analysis that defines the essential forces and the imaginative coherence in its vast discursiveness.The consideration of memory and perception in Thoreau also leads peck to the issue ofthe writer's modernity, and he explores the ways in which Thoreau anticipates twentiethcentury thought, especially in the works of such great objectivist philosophers as William James and Alfred North Whitehead.
7. A memoir of Elizabeth J.J. Robson :: late of Saffron Walden, who died 15th of 10th month, 1859
8. Thoreau's Animals
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YALEDescription
From Thoreaus renowned Journal, a treasury of memorable, funny, and sharply observed accounts of his encounters with the wild and domestic animals of Concord
Many of the most vivid writings in the renowned Journal of Henry David Thoreau concern creatures he came upon when rambling the fields, forests, and wetlands of Concord and nearby communities. A keen and thoughtful observer, he wrote frequently about these animals, always sensitive to their mysteries and deeply appreciative of their beauty and individuality. Whether serenading the perch of Walden Pond with his flute, chasing a loon across the waters surface, observing a battle between black and red ants, or engaging in a battle of wits with his familys runaway pig, Thoreau penned his journal entries with the accuracy of a scientist and the deep spirituality of a transcendentalist and mystic.
This volume, like its companion Thoreaus Wildflowers, is arranged by the days of the year, following the progress of the turning seasons. A selection of his original sketchbook drawings is included, along with thirty-five exquisite illustrations by naturalist and artist Debby Cotter Kaspari.
Many of the most vivid writings in the renowned Journal of Henry David Thoreau concern creatures he came upon when rambling the fields, forests, and wetlands of Concord and nearby communities. A keen and thoughtful observer, he wrote frequently about these animals, always sensitive to their mysteries and deeply appreciative of their beauty and individuality. Whether serenading the perch of Walden Pond with his flute, chasing a loon across the waters surface, observing a battle between black and red ants, or engaging in a battle of wits with his familys runaway pig, Thoreau penned his journal entries with the accuracy of a scientist and the deep spirituality of a transcendentalist and mystic.
This volume, like its companion Thoreaus Wildflowers, is arranged by the days of the year, following the progress of the turning seasons. A selection of his original sketchbook drawings is included, along with thirty-five exquisite illustrations by naturalist and artist Debby Cotter Kaspari.